Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print
(eBook)

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Published
University of Wales Press, 2015.
Format
eBook
ISBN
9781783165575
Status
Available Online

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Language
English

Citations

APA Citation, 7th Edition (style guide)

Kate Griffiths., Kate Griffiths|AUTHOR., & Andrew Watts|AUTHOR. (2015). Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print . University of Wales Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Kate Griffiths, Kate Griffiths|AUTHOR and Andrew Watts|AUTHOR. 2015. Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print. University of Wales Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Kate Griffiths, Kate Griffiths|AUTHOR and Andrew Watts|AUTHOR. Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print University of Wales Press, 2015.

MLA Citation, 9th Edition (style guide)

Kate Griffiths, Kate Griffiths|AUTHOR, and Andrew Watts|AUTHOR. Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio and Print University of Wales Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID071cc5de-4dd2-bfee-9753-11d039ce9ac6-eng
Full titleadapting nineteenth century france literature in film theatre television radio and print
Authorgriffiths kate
Grouping Categorybook
Last Update2024-05-15 02:00:34AM
Last Indexed2024-06-15 02:10:41AM

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    [synopsis] => Adapting Nineteenth-Century France uses the output of six canonical novelists and their recreations in a variety of media to push for a re-conceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses re-workings of key nineteenth-century texts across time and media in order to underline the way in which such re-workings cast new light on many of their source texts and reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Moreover, Adapting Nineteenth-Century France traces their subsequent recreations in a comparable range of genres, encompassing key modern media of the twentieth-and twenty-first-centuries: radio, silent film, fiction, musical theatre, sound film and television.
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