Specters of Slapstick and Silent Film Comediennes
(eBook)

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Published
Columbia University Press, 2018.
Format
eBook
ISBN
9780231547062
Status
Available Online

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Language
English

Citations

APA Citation, 7th Edition (style guide)

Maggie Hennefeld., & Maggie Hennefeld|AUTHOR. (2018). Specters of Slapstick and Silent Film Comediennes . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Maggie Hennefeld and Maggie Hennefeld|AUTHOR. 2018. Specters of Slapstick and Silent Film Comediennes. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Maggie Hennefeld and Maggie Hennefeld|AUTHOR. Specters of Slapstick and Silent Film Comediennes Columbia University Press, 2018.

MLA Citation, 9th Edition (style guide)

Maggie Hennefeld, and Maggie Hennefeld|AUTHOR. Specters of Slapstick and Silent Film Comediennes Columbia University Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDaabc514d-d440-4034-e5fa-b5ad1e4cf634-eng
Full titlespecters of slapstick and silent film comediennes
Authorhennefeld maggie
Grouping Categorybook
Last Update2024-05-15 02:00:34AM
Last Indexed2024-05-18 03:24:31AM

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    [synopsis] => Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane's Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds-and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world. Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women's flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
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